Party Of Five….
Posted by Caroline on March 1, 2010
The national final season continues apace, and while we are having slight palpitations at the thought of next weekend, when songs are being chosen by the fistful, this weekend brought us another five to wine, dine, get to know and then invite back to our place for a nightcap. Let’s start with the Slovakian entry – and while we are the first to admit our hopes weren’t high after the long-absent central Europeans made one of the worst comebacks in contest history in 2009, we have to admit this one’s come as quite a pleasant surprise. Horehronie by Kristina might come across as Ruslana-lite, and it’s not exactly world-class, but it’s still a damned sight better than we were expecting, and we might even venture to suggest this one has a chance of putting the Slovakians back in the final:
And so to Latvia. Now we’re convinced that one day the Latvians, the people who have in recent years brought us singing pirates, accapella singing accompanied by stick puppets, Italian cod-opera and, er, that bloke who jumped up and down a lot last year, will at some point just enter a nice normal song and we’ll all be really disappointed that they have lost their ‘wacky’ edge. This year is not that year. What For (Only Mr God Knows Why) isn’t exactly a bad song as such, but the execution is so wondrously bizarre – singer Aisha (and you’ll note we use the word ‘singer’ in the loosest possible sense here) stands atop a giant podium initially in a dress that makes her look about nine feet tall, while a man playing an accordion wanders amid women in togas doing their washing. And that’s one of the more straightforward moments. The whole thing reminded us curiously out of something from the musical Annie (only with slightly more grown-up orphans) and as such we can’t quite decide whether we like it or not. Still, if they don’t do well then the laundry ladies are more than welcome to come round to Team Eurovision HQ, since the washing machine is currently broken:
Then there’s the Bulgarian entry, Angel Si Ti by Miro, which in a shock move is a 2010 Eurovision entry which actually sounds like it was composed in 2010. It’s a bangin’ dance tune of the type we’ve come to expect from the Bulgarians in recent years, and the kind they seem to do so well, and if we’re being honest Miro is more than easy on the eye, with the kind of dazzling dental excellence that is seen on the Eurovision stage all too rarely. But of course we want him to get through to the final because of the quality of his music. Oh yes of course we do:
Belarus, meanwhile, slipped their entry in quietly with very little fuss and bother (are you listening, Malta??), so much so we almost forgot about it. Far Away by boy/girl group 3+2 is pretty standard Belarussian rock of the sort we’ve come to expect from them year after year after year after year (yawn. The magnificence of Koldun is beginning to look like a hazy memory), but it’s still a considerable improvement on last year’s effort. Just one thing though, how weird is the audience for this one? Half of them look as if they’d rather be anywhere but watching yet another Eurovision entry which is likely to be on the next plane back to Minsk the second the semi-final is over, the other half just look a tad lost and puzzled:
And last but not least, we have the return to the contest of Georgia, following their controversial withdrawal from last year’s proceedings. This year’s effort is called Shine (we’re trying not to think about the Netherlands’ horrendous, similarly-titled effort from last year), a big epic ballad by the winsome Sofia Nizharadze. And we have just two words: potential winner. End of: