Eurovision Blog

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(Almost) the last round-up….

Posted by DINRIL on March 26, 2012

First things first, we must apologise for the radio silence in recent days. While the rest of the Eurovision fraternity has been frothing about this that and the other, we have been engaged in a small trifle called ‘work’. But hey, there was only so long we could put off taking a look at the rest of this year’s entries, now that they have been chosen, so let’s get going with this little number from Slovakia. Now if you get get over the hair metal posturing and rather shabby looking set then this effort, Don’t Close Your Eyes by Max Jason Mai, isn’t half bad actually. So much so that we almost think the Slovakians could even be in with a chance of making the final this year. Mind you we thought that in 2010 and look how that one fared:

Next we have Portugal’s Filipa Sousa with her effort Vida Minha. Er, Portugal, you know how you’ve never actually won Eurovision? Well songs like this are the reason why, OK….? I mean we’re all for playing it safe, especially after what you sent to the contest last year, but in truth this actually leaves us longing for Homens da Luta to stage a comeback:

Time for something completely different now, and here’s Romania’s Mandinga with their song Zaleilah. Now this one really does tick all the boxes in the Eurovision book of cliches – wacky men playing the accordion, bonkers dancing, a lady whose clothes seem to fall off entirely by accident (in this instance before the first verse has even kicked in). Oh and bagpipes. And you know what? We bloomin’ well love it. OK, so sound-wise this is basically Cotton Eye Joe for the Facebook generation, but it’s so utterly joyful and catchy that we just can’t resist it. And we have a sneaking suspicion that along with Israel this could be one of those ‘dark horse’ entries which sneaks up the scoreboard when nobody’s looking and nabs about a zillion points:

Finally in this batch we come to the remarkably similar effort from Moldova (now there’s a surprise), Pasha Parfeny’s Lautar. Just a few things we would like to point out to Pasha here – firstly, you look like Colin Farrell, secondly the double checkered fabric look should really be avoided at all costs, and finally you, sir, are bonkers. How else do you explain the moment in this performance when you mount one of the dancers and begin riding her like a horse? That said we actually rather like this song, and you can pretty much guarantee they will exchange points with Romania, since both songs sound so remarkably similar and are the product of, how shall we put this, eccentrics:

Next up: Bosnia and Herzegovina, Greece, and anyone else we’ve forgotten….

 

 

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